Latest News and Updates About Vizrt

Step Into a Virtual Studio Without the Complexity Vizrt CaptivAIte transforms any Zoom Room into a studio fit for TV. Using existing equipment that’s already in every Zoom Room, it makes presenters look professional and can bring in participants from other locations, to look as though they’re standing right alongside them, without green screens or complex setups. What was once limited to broadcast, is now accessible to enterprise teams. With Vizrt CaptivAIte, organizations can: Replace…

Last week, the Vizrt team touched down in Las Vegas once again, joining many of its global force at the heart of the desert to connect with end-users, partners, and media technology professionals. The NAB show floor was buzzing with innovation – and Vizrt’s booth welcomed some of the greatest (and most enthusiastic) minds in…

High schools across the US are discovering something powerful: professional grade sports production isn’t just for major networks anymore. With the right vision, leadership, and technology, even a modest school budget can support a full broadcast operation, one that elevates school spirit, builds real world skills, and connects entire communities. The Challenge: Big Vision, School…

Like many people my age, I grew up watching Star Wars and Star Trek, where holograms and teleportation were used to bring people together across vast distances. It always felt like unobtainable science fiction. But the way we communicate today is starting to feel surprisingly close to that future. At Vizrt, we have spent years exploring…

The Zoom Room Boom Vizrt and Zoom are redefining what is possible with video communications. At ISE, two brand new solutions were announced: InteractifAI for Zoom Meetings and CaptivAIte for the Zoom Room! Hear from Vizrt’s CEO, Rohit Nagarajan, and Zoom’s Head of Client Innovation, Andy Carluccio, on the partnership and how the solutions add…

The Old System, A Patchwork of Challenges The university didn’t start with the system they have today. Before the Dormitory Super League, they relied on a patchwork setup. This included a 4-channel EVS for slow-motion replay, a Panasonic SDI switcher for directing, and separate post-production tools for adding graphics. The setup worked, but it came…